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Story Behind the Story #33: Poppy & Rye

There are six books in the Pop­py series. That was nev­er the plan. Yes, the last chap­ter of Pop­py begins: “Almost thir­teen full moons to the night Ocax killed Rag­weed, Pop­py and her hus­band, Rye (how they met and mar­ried is anoth­er sto­ry) … ” Though I had writ­ten just that I had no par­tic­u­lar plan to go

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Story Behind the Story #32: Keep Your Eye on Amanda

When I was a boy, liv­ing in New York City, my par­ents took The New York Times. I thought it was a very dull paper. It had no car­toons, not even polit­i­cal ones. Its rival, The New York Her­ald Tri­bune, not only had car­toons, but ran a dai­ly ser­i­al for kids by Thorn­ton W. Burgess.

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Story Behind the Story #31: Beyond the Western Sea

I had been vis­it­ing schools that year, impor­tant­ly, long before the lengthy Har­ry Pot­ter books were so pop­u­lar. I had begun ask­ing stu­dents what they were read­ing. A sur­pris­ing num­ber of them were telling me they were read­ing nov­els by Stephen King. The sur­prise— (to me and to their teachers)—was that these kids were reading

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Story Behind the Story #30: Poppy

For about eight months I lived in Cor­val­lis, Ore­gon because my wife had a semester’s vis­it­ing pro­fes­sor­ship at Ore­gon State Uni­ver­si­ty. The uni­ver­si­ty had a book­store and one day I was brows­ing among the remain­dered books. For some rea­son one book caught my atten­tion. It was writ­ten by a nat­u­ral­ist who worked in a forest.

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Story Behind the Story #29: The Barn

Many peo­ple, like myself, find old barns attrac­tive. It’s not just the weath­ered archi­tec­ture: I sense the traces of many hands, many beasts, crops, the work­ing lives, all of which grow old with grace and dig­ni­ty. One day I was in north­ern Cal­i­for­nia, look­ing at such an old barn. Actu­al­ly, I was doing more than

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Story Behind the Story #28: City of Light, City of Dark

I was liv­ing in Los Ange­les, so, nat­u­ral­ly, I wrote a fan­ta­sy about New York City. What’s more I sold it to a pub­lish­er. But as I con­tin­ued to think about the book I had a cru­cial (and a self-crit­i­­cal) thought: It’s a sto­ry about NYC and there are no peo­ple of col­or or Hispanics

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Story Behind the Story #27: Punch With Judy

When I was a stu­dent at the Uni­ver­si­ty of Wis­con­sin (Madi­son) my focus was the­atre. As it hap­pened, the The­atre Depart­ment orga­nized a group of stu­dents to per­form Oth­el­lo, Shake­speare’s great tragedy in schools through­out the large state of Wis­con­sin. This was, to put it mild­ly, a deeply edit­ed ver­sion of the play, which, when

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Musings on Publication Day

Today, the six­teenth of May, I am hav­ing a new book pub­lished: The Unex­pect­ed Life of Oliv­er Cromwell Pitts (Algo­nquin). It has already received very fine reviews and I am hard at work on the sequel, but.… As artis­tic events go, the offi­cial pub­lish­ing of a book is one of the qui­etest of artis­tic events.

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Story Behind the Story #26: Who Was That Masked Man Anyway?

It will no doubt date me when I reveal that one of the key influ­ences on my writ­ing life was radio.  I am not ref­er­enc­ing music here, but radio dra­ma, in par­tic­u­lar those shows sent out over the air­waves (as they were called) to young peo­ple like me. If I was home sick there were the

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Revealing how writers write

Ernest Hem­ing­way has the lit­er­ary rep­u­ta­tion for pre­cise, unclut­tered writ­ing. Is it jus­ti­fied? Elmore Leonard famous­ly object­ed to the use of excla­ma­tion points (!) to juice up the ener­gy of prose. Did he fol­low his own advice? E.B. White urged read­ers to cur­tail using the word “not” to describe actions. Describe actions, he urged, in

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