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Summer Road Trip

One of the most mem­o­rable sum­mers I spent hap­pened in 1947, when my par­ents loaded me, (age 9) my twin sis­ter and old­er broth­er (by two years) on a road trip that went from New York City to Los Ange­les and back—in my father’s Buick—the only kind of car he would dri­ve. Con­sid­er: A two

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Horror? Or fun?

When I looked at the cat­e­go­ry under which my newest book, School of the Dead, was list­ed, it was “Hor­ror.” I admit; I was tak­en aback. True, I have writ­ten many dif­fer­ent kinds of books, and that includes ghost sto­ries, books like Some­thing Upstairs, Seer of Shad­ows, The Book With­out Words.  They are all tales

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The good, the bad, and the disappointing

Toby from Rose­burg, OR, writes: “I guess you feel good when one of your books gets a good review. How does it feel when (if) you get a bad review? I do know writ­ers who say they nev­er read any reviews. I am not one of those peo­ple. It is always a pleas­ing expe­ri­ence when

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Paper vs Screen

Is there a dif­fer­ence between read­ing  and work­ing on what you are writ­ing on a com­put­er screen or on paper? Clear­ly, this is an indi­vid­ual choice, but speak­ing pure­ly for myself, I think there is a big dif­fer­ence. But I am not sure why. For more than twen­ty years I have com­posed my books on a

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Rhode Island

When the nov­el Some­thing Upstairs was pub­lished, it was set in the Prov­i­dence, Rhode Island house (built 1835) I was liv­ing in. I had moved there from Los Ange­les, from a most mod­ern city to a very old one. Indeed, it felt as if I was going back in time. That sense of going back in

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The key to writing

It may come as a shock to those of you who have expressed admi­ra­tion for my books and writ­ing (thank you!) when I con­fess that I do not believe I am a good writer. Immersed as I cur­rent­ly am in putting togeth­er a first draft of a new book, I am often dis­heart­ened by how

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Underground Reading

I was in New York City last week, and as I always do, I rode the Subway.That’s some­thing I have enjoyed doing since I was a boy grow­ing up. (My graph­ic nov­el, City of Light City of Dark, has a lot about sub­ways.) This time as I looked over the pas­sen­gers, sit­ting and stand­ing, I

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Writing with someone else

“Have you ever writ­ten a book with some­one else?” asks Toby from Colum­bus Ohio. The answer is yes. I did so with writer Rachel Vail, with whom I wrote, Nev­er Mind. It came about this way. My twin sis­ter (Emi­ly Lei­der (www.emilyleider.com )) is also a writer, a poet, and an author of a num­ber of biographies.

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The beginning of the Poppy series

Avi: The “Pop­py” Series from Mackin Edu­ca­tion­al Resources on Vimeo. Thanks to Mack­in­Via for this excerpt from a longer inter­view I did with them. You can view more of Mack­in’s videos here. 

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The End?!

A ques­tion I am often asked is, “Do you know the end­ings of your books when you begin?” There is not a sim­ple answer to this ques­tion. Now and again I do know with some clar­i­ty what I expect the end­ing of a book will be. That, how­ev­er, is rare. More often than not, I have

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