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Kinds of Success

One of the iron­ic results of writ­ing a very suc­cess­ful book was expressed to me by a very well-known writer: “Why should I work hard? They will always tell me __________ is my best book and won’t both­er to read any­thing else.” Teach­ers, think of your favorite writer. Think of your favorite book by that writer. Think what

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Keep writing, Christopher

Christo­pher from Austin, TX, writes, “You write a lot. So do I. My teacher says I should write less, and that will make me get bet­ter. What do you think?” Well, Christo­pher, Adam Grant, in his new book, Orig­i­nals: how non-con­­formists move the world (Viking, 2016) writes this: “…the most pro­lif­ic peo­ple not only have the

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Short Stories

The short sto­ry is a sta­ple of lit­er­a­ture, and it is inter­na­tion­al. Chekov—Russian. Alice Munro—Canadian. William Trevor—English. Guy de Maupassant—French. Fitzger­ald and Hemingway—US, to name a very, very few. There was a time they were very wide­ly pub­lished in the Unit­ed States, not just in spe­cial­ized mag­a­zines, but in mass cir­cu­la­tion pub­li­ca­tions like The Saturday

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Richard Jackson, editor

I just hand­ed in a new book to my edi­tor Richard Jack­son. When pub­lished, it will be the twen­­ty-sec­ond book I have worked on with him. The books he edit­ed include The True Con­fes­sions of Char­lotte Doyle, Noth­ing but the Truth, Pop­py, The Man who was Poe—among the books for which I am best known.

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I started every book

After a cou­ple of my books were nom­i­nat­ed for the Mys­tery Writ­ers of America’s juve­nile award, I was asked to be a judge. I accept­ed and what hap­pened was, I thought, fas­ci­nat­ing. And bewil­der­ing. The judg­ing went this way:  Five judges were cho­sen. I didn’t know them, and nev­er met them. Anoth­er writer was functioning

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The best writing I’ve ever done

What’s my best piece of writ­ing? I lost it. In a com­put­er. Into the ethers. And I don’t know why. But I am sure it was the best writ­ing I ever did. But be assured, I am not the only writer who has expe­ri­enced this. I am a very fast (and slop­py) typ­ist. I am also,

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Animal stories

There are many of us who write sto­ries with ani­mals as their chief pro­tag­o­nist. I’ve just pub­lished Old Wolf, and there are nov­els like The Good Dog, and the Pop­py books. All of these books, and oth­ers by oth­er writ­ers (like my favorite, The Wind in the Wil­lows) are anthro­po­mor­phic sto­ries, with a vari­ety of

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Advice to Aspiring Writers

Avi_Advice for Aspir­ing Writ­ers from Mackin Edu­ca­tion­al Resources on Vimeo. Thanks to Mack­in­Via for this excerpt from a longer inter­view I did with them recent­ly. You can view more of Mack­in’s videos here. 

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Illuminating fiction

A young read­er recent­ly wrote to me: “We [my sixth grade] thought your book [Nev­er Mind] was real­ly good, but at times it was hard to imag­ine. If it was made into a movie we could visu­al­ize the char­ac­ters bet­ter and how they react­ed. For exam­ple, Har­ry Pot­ter is a series of books that were turned

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Learning about awards

It is excit­ing to have my new nov­el, Catch You Lat­er, Trai­tor short-list­ed for the Edgar, the Mys­tery Writ­ers of Amer­i­ca award for the best mys­tery for young read­ers, 2015. It was in 1975 that my first nov­el, No More Mag­ic, was sim­i­lar­ly nom­i­nat­ed. Much younger, to be sure, I did not quite know what to

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