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	<title>Avi Blog &#187; first page</title>
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		<title>Starting out</title>
		<link>http://www.avi-writer.com/blog/2012/10/starting-out/</link>
		<comments>http://www.avi-writer.com/blog/2012/10/starting-out/#comments</comments>
		<pubDate>Tue, 30 Oct 2012 07:01:17 +0000</pubDate>
		<dc:creator>Avi</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Edward Bulwer-Lytton]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[first page]]></category>
		<category><![CDATA[Madeleine L'Engle]]></category>
		<category><![CDATA[novel]]></category>
		<category><![CDATA[opening]]></category>
		<category><![CDATA[Paul Clifford]]></category>
		<category><![CDATA[True Confessions of Charlotte Doyle]]></category>

		<guid isPermaLink="false">http://www.avi-writer.com/blog/?p=676</guid>
		<description><![CDATA[Contemporary readers raised on TV, film, and video game narration don’t give the writer much slack in the opening of a novel. The impact of those other forms of storytelling has been enormous. Compare today’s fiction to virtually any Victorian, &#8230; <a href="http://www.avi-writer.com/blog/2012/10/starting-out/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.avi-writer.com/blog/wp-content/uploads/2012/10/darknight.jpg"><img class="size-full wp-image-680 alignright" title="dark and stormy night" src="http://www.avi-writer.com/blog/wp-content/uploads/2012/10/darknight.jpg" alt="dark and stormy night" width="220" height="220" /></a>Contemporary readers raised on TV, film, and video game narration don’t give the writer much slack in the opening of a novel. The impact of those other forms of storytelling has been enormous. Compare today’s fiction to virtually any Victorian, or even early 20<sup>th</sup> century fiction, and you will be struck by how different is the pacing of a book’s first pages. I used to joke that my youngest son (now 23), raised with the modern mix of narration, thought the perfect plot was three explosions connected by a chase. </p>
<p>I believe it was Madeline L’Engle who referred to the first words of a novel as “an opening door.” I’ve also heard those words called “the hook.“ Years ago I read the memoir of a man who (in the 1930s) was a contract writer of a popular book series, when a series numbered fifty volumes. Virtually all plots of the books were pre-formatted, but he still spent a huge amount of time on the opening page. “If I couldn’t hold them on the first page, I’d never hold them.” Then, there’s always “It was a dark and stormy night,” the opening words of Edward Bulwer-Lytton’s (1830) novel, <em>Paul Clifford</em>. </p>
<p>One of my readers wrote to me, “I read your book, <em>True Confessions of Charlotte Doyle.</em>  It was boring at first, but by the second page it got good.” </p>
<p>Whew!</p>
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