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	<title>Avi Blog &#187; Robert Frost</title>
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		<title>Fictional logic</title>
		<link>http://www.avi-writer.com/blog/2012/10/fictional-logic/</link>
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		<pubDate>Thu, 25 Oct 2012 07:01:42 +0000</pubDate>
		<dc:creator>Avi</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Avi]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[logic]]></category>
		<category><![CDATA[Robert Frost]]></category>
		<category><![CDATA[surprise]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.avi-writer.com/blog/?p=673</guid>
		<description><![CDATA[Readers don’t often think about logic when reading fiction, but they know it when it’s not there: “That makes no sense!” Or, “I don’t believe it.” Or, even “But on page thirty, you wrote . . . .“ Fictional logic, &#8230; <a href="http://www.avi-writer.com/blog/2012/10/fictional-logic/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>Readers don’t often think about logic when reading fiction, but they know it when it’s <em>not</em> there: “That makes no sense!” Or, “I don’t believe it.” Or, even “But on page thirty, you wrote . . . .“</p>
<p>Fictional logic, by which I mean cause, motivation, and result, needs to be seamless, perhaps invisible, yet that logic is the inner core of the story. It makes a story go from page one to “the end.” Yet, it if it is too obvious, the tale seems predictable, perhaps dull. Too obscure and the reader can’t follow the trail. To make it more complex, I love the notion I have quoted many times, Robert Frost’s dictum, “No surprise for the writer, no surprise for the reader.”</p>
<p>What’s a writer to do? He/she must imagine—and set down—the whole complexity of the characters’ world, but in the subtlest way possible.</p>
<p>As in life, all people are complex. Imbedded in that complexity are multiple choices. The complex character thus can <em>logically </em>do any number of things, and the reader will believe.  Is that hard to achieve? Oh my, yes!</p>
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		<title>Reading out loud</title>
		<link>http://www.avi-writer.com/blog/2012/04/reading-out-loud/</link>
		<comments>http://www.avi-writer.com/blog/2012/04/reading-out-loud/#comments</comments>
		<pubDate>Mon, 23 Apr 2012 07:01:13 +0000</pubDate>
		<dc:creator>Avi</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Robert Frost]]></category>

		<guid isPermaLink="false">http://www.avi-writer.com/blog/?p=202</guid>
		<description><![CDATA[For me, the hardest part of writing a novel is the constant rereading of my own work. I do it repeatedly, truly countless times. As I do, I make all kinds of changes, big and small. It is during this &#8230; <a href="http://www.avi-writer.com/blog/2012/04/reading-out-loud/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>For me, the hardest part of writing a novel is the constant rereading of my own work. I do it repeatedly, truly countless times. As I do, I make all kinds of changes, big and small. It is during this process that the book takes on a unity, a clear direction, a sharp focus, and the strong movement toward a meaningful ending. Sometimes huge changes take place. Sometimes only small, but vital, changes. How can I keep the book fresh to my own eyes and mind? In all honesty, it is not easy. One of the simplest ways, is <em>not</em> to work on it. Walk away. Come back another time. Work on something else. Sometimes the computer helps. Change the font. Margins. Background color. However, I have learned the best way to get a sense of my own work is to read it aloud. It is as the poet Robert Frost once said, “The ear is the best reader.” My wife is usually the first willing listener. I often invite myself to a school and read the whole book—over a series of days or weeks—to a class. For better or worse, it is amazing what I hear.</p>
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