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The Challenge of Writing a Mystery

Avi_The Chal­lenge of Writ­ing a Mys­tery from Mackin Edu­ca­tion­al Resources on Vimeo. Thanks to Mack­in­Via for this excerpt from a longer inter­view I did with them recent­ly. You can view more of Mack­in’s videos here. If you haven’t already read my mys­tery Catch You Lat­er, Trai­tor, here’s more about the book.

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Texas and Other Book Festivals

One of my young read­ers leaned across the table, and intent­ly watched me sign her book. “I love book fes­ti­vals!” she fair­ly gushed. “Do you?” The Texas Book Fes­ti­val was begun twen­ty years ago by Lau­ra Bush (a for­mer librar­i­an) and at the time, the Governor’s wife. She went on to cre­ate the Nation­al Book Festival

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Process, process, process

It is hard enough to com­plete a first draft. Even more cru­cial, I think, is your first re-read­­ing of that draft. If you write in any way like I do, that first draft will be full of mis­steps. You will find events that con­tra­dict oth­er events. You will dis­cov­er ele­ments that are left out (on

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Movie possibilities

The oth­er day I received word from my agent that some­one was inter­est­ed in mak­ing a movie out of one of my pub­lished books. Is that excit­ing? Not real­ly. Let me explain. The wheels of movie making—in my experience—move exceed­ing­ly slow. The first time I spoke to the per­son men­tioned above was two and a

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Keeping track

When writ­ing a nov­el a good mem­o­ry is vital. And more than any­thing else what you must remem­ber is your own work. The char­ac­ter who limps on page six must limp again on page one hun­dred and fifty, unless you can explain it away. And if you do ref­er­ence that limp on page six, you

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Halls full of memories

I have writ­ten a few ghost nov­els: Some­thing Upstairs, The Book With­out Words, Devil’s Race, plus a few short ghost sto­ries. My read­ers often ask, “Do you believe in ghosts?” My answer is, “No, but I believe in ghost sto­ries.” (See blog posts for Novem­ber 15, 2012 and Decem­ber 11, 2014). Each year I read,

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Thriller

Forester (Aspects of the Nov­el) famous­ly wrote; “The King died and then the queen died is not a plot. The king died and then the queen died of a bro­ken heart is a plot.”  We want to know why and how her heart was bro­ken. Almost all nov­els have some degree of plot sus­pense, the

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School of the Dead

I have just received a gal­ley of my new book, School of the Dead, which will be pub­lished next year by Harper­Collins. The term gal­ley is a 17th cen­tu­ry word, from the French, galée, which, as the OED has it, is “an oblong tray of brass, wood, or zinc, to which the [printer’s] type is

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At the Morgan

If you are a bib­lio­phile, and I am noth­ing if not that, one of great places to vis­it in New York City is the Mor­gan Library on Madi­son Avenue and 36th Street. It was built by bank­ing mag­nate J.P. Mor­gan (1837–1913) who was also a book col­lec­tor of vast resources. In this beau­ti­ful renais­sance style

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The Influence of Playwriting

Avi_The Influ­ence of Play­writ­ing  from Mackin Edu­ca­tion­al Resources on Vimeo. Thanks to Mack­in­Via for this excerpt from a longer inter­view I did with them recent­ly. You can view more of Mack­in’s videos here. If you haven’t already read Catch You Lat­er, Trai­tor, here’s more about the book. And, in this par­tic­u­lar excerpt, I talk about

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