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Mentally digging in

I have been work­ing on a new nov­el, with a nag­ging sense that it was not going well. Although I went over it any num­ber of times, I could not fig­ure out what was wrong. The per­fect moment to ask some­one else to read it and give a cri­tique. That I did, and what came

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Visiting classrooms

It used to be that I spent a fair amount of time vis­it­ing schools, in class­rooms. I still do some vis­its but most of my vis­it­ing is now done via Skype. In this school year I’ve already done forty such vis­its, and the term is not yet over. Con­sid­er­ing where I live, high (as in Rocky

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Making a big change

One of the hard­est aspects of writ­ing occurs when your first impor­tant read­er, and/or your edi­tor, says, “Okay, but you need to make major changes.” Some­times, that admo­ni­tion comes with a spe­cif­ic sug­ges­tion, as in, “I think you need to show why ….” Or “Maybe you want to add anoth­er char­ac­ter.” If you agree—and that’s

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The tale of my first book

Justin, from Fres­no writes, “What was your first book and how did it get writ­ten?” When my eldest son, Shaun, was three, we had a fair­ly famil­iar bed­time prac­tice. He would get on my lap, and ask me to tell him a sto­ry. I would ask what the sto­ry should be about. He would try

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What the novel needs

“With all your expe­ri­ence writ­ing,” some­one asked me, “and if your new nov­el is going bad­ly, do you always know what to do?” The short answer is no. More­over, I would sug­gest, if the work is not going well, you do not need to know what to do. You need to know what the nov­el needs.

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Comprehending the language of writing

One of the rea­sons read­ing and writ­ing is so dif­fi­cult to teach in today’s schools is because it is not com­mon­ly under­stood that writ­ing is a unique form of the Eng­lish lan­guage. It is, in gen­er­al, dif­fer­ent from the way Eng­lish is spo­ken. It is often dif­fer­ent from the var­i­ous ways Eng­lish is spo­ken, in

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It has to work both ways

There is one aspect of pro­fes­sion­al pub­lish­ing that is rarely talked about, the ten­sion between pub­lish­ing and the writer. I am not speak­ing here about prob­lems in mar­ket­ing, roy­al­ties, or any of the busi­ness prob­lems that always come up, which have their own strains. I am ref­er­enc­ing the clash of egos between writ­ers and editors.

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The Boy Detective

In the late Nine­teenth Cen­tu­ry, and ear­ly Twen­ti­eth Cen­tu­ry, because of its prox­im­i­ty to Ellis Island, one of the major land­ing sites for immi­grants, thou­sands upon thou­sands of peo­ple came to New York City. As it hap­pened, many of these peo­ple found ten­e­ment hous­ing in Man­hat­tan, around and about what is called the Low­er East

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Nothing But the Truth

From playwright to novelist

When I was a senior in high school, I kept a diary, the only time I have real­ly done so. On March 28, 1955, (I was sev­en­teen) an entry reads; “Well, I final­ly said it out loud. I intend to stay with the the­atre. In the the­atre, one can be every­thing in the world—write—that’s for

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Top 15 most frequently asked questions

I made my first school vis­it in 1970. Since that time, there have been count­less such vis­its, in class­rooms, audi­to­ri­ums, and these days via Skype. I have been in front of audi­ences at many, many con­fer­ences as well. All venues vary enor­mous­ly, in both loca­tion (every state) and a few coun­tries abroad. Despite the variations,

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