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“My story was not strong enough …”

A strug­gling writer recent­ly wrote to me: “As most rejec­tion let­ters for oth­er man­u­scripts tell me, ‘[My] sto­ry was not strong enough.’ Nei­ther was this one. I don’t think the read­ers will care.” What would I advise? A rather daunt­ing ques­tion. Years ago, I was teach­ing a children’s lit­er­a­ture writ­ing course for adults, an evening noncredit

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What color were Henry the Seventh’s eyes? 

My young read­ers often ask me about the details in my nov­els, every­thing from where I find them, to how do I choose what to include. These ques­tions come up often in the con­text of appre­ci­a­tion. I have rarely heard a com­plaint that there are too many or unnec­es­sary details in my books. (Edi­tors tell

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Writing groups

Rox­ane asks how I feel about writ­ing groups. To begin, I have nev­er been part of a writ­ing group in any for­mal sense. That said, from the ear­ly days of my writ­ing, I did share work with friends and fel­low writ­ers, but it was nev­er orga­nized. That shar­ing was very impor­tant to me. I think writing

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Guidelines for That Reader

Ask­ing some­one to read—for the first time—something you have writ­ten is always a ner­vous mak­ing time. Over the years, I have devel­oped some rules for myself when doing this. Choose one per­son. Too many read­ers can be con­fus­ing. Make sure your MS is in stan­dard read­able form. (I recall some­one once send­ing me 200 pages of

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Reading straight through your work

It’s one thing to reach the final sen­tence of a first draft. It’s quite anoth­er to be able to sit down and read your work through—without stop­ping. The work of cre­at­ing a first draft is very hard, often grind­ing. Con­stant rethink­ing. Con­stant rewrit­ing. Changes can be big, even as there are count­less small ones. But the

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Where we work

I have just come back from a three-months trip away from home. The rea­son is sim­ple. We live in a very iso­lat­ed place, and we decid­ed we need­ed to spend time with people–not chip­munks. I took along my lap-top of course, and worked at a steady rate. It was a very good trip. Had a

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Running downhill

When I achieve what I call a first draft of a new book—which I have just done—I am flood­ed with relief. It seems as if a mir­a­cle has hap­pened. There have been moments a‑plenty—ask my wife—when I have announced “I can’t do this. It is too hard.” As I approach the end, how­ev­er, and I

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I miss my old Royal typewriter

Cur­rent­ly work­ing on a new book (unti­tled) and did what I always have to do: stop work­ing on the com­put­er, print out what I have done, and work on a real page, red pen in hand. It makes (for me) a huge dif­fer­ence I see things on the print­ed page I don’t see on the

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Baseball opener

Grow­ing up as I did, in the 1940’s and 50’s in New York City, there was only one sport that we (my friends and I) talked about, and that was base­ball. There was much to talk about since there were three teams in the city, The Brook­lyn Dodgers, the New York Giants, and the Yankees.

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The Unstrung Harp

Catch You Lat­er, Trai­tor has been offi­cial­ly pub­lished. When­ev­er I pub­lish a book, I always reread my absolute favorite book about pro­fes­sion­al writ­ing and the writer’s life, Edward Gorey’s The Unstrung Harp. I think there is more truth about writ­ing in this work of genius than forty books about writ­ing. But, be advised, if you

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