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Writing less

If you are a writer there are many rea­sons to love the com­put­er. It does make writ­ing eas­i­er. But it also makes books big­ger, as in more words and more pages. Books are longer these days, despite the fact that it is just as sim­ple to remove text as to add it. Eas­i­er, actu­al­ly. But

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Listening for rhythm

In dis­cus­sions about writ­ing there is often talk of a writer’s “Voice,” the voice of the nar­ra­tor, be it the author’s voice or the char­ac­ter who is relat­ing the tale. Not often men­tioned is the rhythm or cadence of a nar­ra­tive. What I am writ­ing about here is close to poet­ic usage, but not quite.

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A Literary Game

Jacob, from Los Ange­les, asked me if I have writ­ten any mys­ter­ies. Actu­al­ly, Jacob, I have writ­ten quite a few.  My very first nov­el was No More Mag­ic, a mys­tery, which was a run­n­er-up for an Edgar Award, best mys­tery of the year, when it was first pub­lished. Then there were these: Who Stole The Wiz­ard of Oz?

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Suggesting Seven Reviews

If one writes professionally—that is, mak­ing a liv­ing at writing—reviews are impor­tant. One writes a book spend­ing x num­ber of years writ­ing, rewrit­ing, edit­ing, fret­ting … the book is pub­lished and then there are the … reviews. And now I have been reviewed for my lat­est book, Catch You Lat­er, Trai­tor. I know some high­ly suc­cess­ful writers

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Remembering Walter Dean Myers

Wal­ter Dean Myers’ memo­r­i­al (3/9/15, in NYC) was unlike any I’ve been too before. Christo­pher Myers (his son) did a won­der­ful job did as mas­ter of cer­e­monies. He was wit­ty, engag­ing, soul­ful, and charm­ing. Mas­ter­ful. In homage to Wal­ter he assem­bled a ros­ter of artists; poets, musi­cians, writ­ers, who per­formed their work. There were songs,

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Dust jacket flap

There is an aspect of book writ­ing and pub­lish­ing that folks don’t talk about much, but is actu­al­ly quite impor­tant: what is called flap copy. Flap copy is the brief descrip­tion of the book that appears on the inside flap of the book cov­er. There is also the bio. And there is copy on the

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These books are about me.

I’ve often been asked, what’s the dif­fer­ence between books for adults, and books for young peo­ple? I’ve come to believe it has much to do with the way kids and adults read the books. When adults read a book they encounter a sit­u­a­tion, a char­ac­ter, a detail, which enables them to say, “That’s some­thing I

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Catch You Later, Traitor Book Giveaway

Catch You Lat­er, Trai­tor, my new noir detec­tive nov­el, will be avail­able on March 10th. From now until mid­night on that day, you can enter to receive one of four signed, hard­cov­er, first edi­tion copies of this book. Good luck!  Catch You Lat­er, Trai­tor is pub­lished by Algo­nquin Books for Young Read­ers and avail­able at book­sellers throughout

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You’ve finished … and then?

Gillian writes: “You’ve said [of writ­ing] ‘It’s nev­er done.’ I’m stuck in the per­fec­tion­ism sand trap. I’ve rewrit­ten count­less times. Friends and fam­i­ly urge me to send it off. That’s a par­a­lyz­ing thought. Any advice?” The eas­i­est part of writ­ing is when you are done with a project. I recall my friend Natal­ie Bab­bitt saying

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Bibliographies, libraries, and bookstores … oh, my

A read­er here asks: “I would love to hear more about your tips for stu­dents on how to start the research process and lessons you have learned on how to sift through the vast amount of infor­ma­tion on the inter­net.” Research is a puz­zle for many peo­ple, I think, because they approach a sub­ject without

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