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Writing is not talking

When­ev­er I talk to young peo­ple I am asked, ”What can I do to make my writ­ing bet­ter?”  The answer is sim­ple: read. The more you read the bet­ter your writ­ing will be. I has­ten to say, the qual­i­ty of what you read can make a dif­fer­ence, too. If you read a lot of good writing,

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Short story or marathon?

Is writ­ing a short sto­ry very dif­fer­ent than writ­ing a novel­la or a nov­el? My own expe­ri­ence sug­gests the answer is no. Good writ­ing is good writ­ing, and the goal is to achieve qual­i­ty no mat­ter what you write. But sure­ly, you say, there must be some dif­fer­ences when com­pos­ing these dif­fer­ent forms. Actu­al­ly, in

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Do I believe in ghosts?

I have just sent in a new col­lec­tion of short sto­ries to my edi­tor. As yet unti­tled, it con­tains a ghost sto­ry. In 2016, a ghost sto­ry nov­el will be pub­lished. I have pub­lished oth­er ghost sto­ries, Some­thing Upstairs, Seer of Shad­ows, and there is a ghost short sto­ry in the col­lec­tion Strange Hap­pen­ings. No surprise

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The middle game

I sup­pose we all know what a mid-life cri­sis is. We’ve had our youth, and now, in our mid­dle years, we’re not so sure about all those deci­sions that brought us to where we are now. Worse, we have a sense of what the end game might be like, and we’re not sure we like

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Student seeks advice

A dif­fer­ent kind of fan let­ter: “Dear Avi … … now [I am] a fresh­man in col­lege and seek wis­dom. Any advice for an aspir­ing children’s nov­el­ist? My fam­i­ly had con­vinced me it was a bad idea to take cre­ative writ­ing class­es. So I default­ed on my plan B: busi­ness (which is dras­ti­cal­ly more mis­er­able than I

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One solution for writing malaise

I was feel­ing bad­ly about my day’s writ­ing. It did not seem right. Did not flow. Seemed forced. The whole project seemed emp­ty, not get­ting any­where. The lan­guage felt stilt­ed, stuffed. Frankly, dull. No good. It is not the first time I have felt that way. It will not be the last. More­over, I know such

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The true human tradition

Not exact­ly a Thanks­giv­ing mes­sage, but what I quote below is from E.M Forster, a writer, and man I great­ly admire. His Aspects of the Nov­el, is a fun­da­men­tal primer for any­one inter­est­ing in writ­ing a nov­el. I do not know where this comes from in his volu­mi­nous work, but I am hap­py to pass it

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My crowd of creatures

I have just sent in a new man­u­script to my edi­tor. As ever, I fall into a kind of melan­choly rest­less­ness, a kind of what-shall-I-ever-do-with-myself-now mood. I have known writ­ers who take vaca­tions at the end of projects. Some­one told me how, when done, he always cleaned his house. Anoth­er, her desk. Then there was

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Reading

This is a pho­to my son took of his children—my grandchildren—but it is an image that cap­tures a visu­al notion of what I hope read­ing does for young people.

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All about details

John, from River­head, NY, writes, “I love all the detail in your books. How do you find it, and then decide what to do about it?” Well, John, the infor­ma­tion comes from lots of places; things I have noticed, remem­bered, read about, or researched. But know­ing the details is one thing, what do with it is

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