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January in the Rockies

It being Jan­u­ary here in the rur­al Rocky Moun­tains at almost nine thou­sand feet up, it was cold: minus two degrees. Pure white snow lay upon the land at least three/five feet deep every­where. Skies were crys­tal clear and blue. All the same, my wife and I were dri­ving to town for our week­ly run

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The End

The End

A high­ly suc­cess­ful writer once told me, “I don’t start writ­ing a sto­ry until I know the last sen­tence of the sto­ry.” It worked for her. I have nev­er ever been able to do that. Well, not quite nev­er: The one time I did was for the fourth book in the Crispin series. Except, while I had that last line, I nev­er wrote the book. 

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juggling

Two Manuscripts, Two Editors

A cou­ple of days after 2020 Christ­mas I sent in two nov­el man­u­scripts to two dif­fer­ent edi­tors. No, this is not the result of being ambidex­trous and work­ing on two key­boards simul­ta­ne­ous­ly. It comes about because of the com­plex ways of pub­lish­ing. Let’s con­sid­er each book in turn. 

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Zoom meeting

How the Pandemic Changed Publishing

The pan­dem­ic has touched every­one in 2020, and that includes writ­ers and pub­lish­ing.  In my own writ­ing life, I have been touched, influ­enced, and ham­pered in almost all the ways cit­ed below.  The world of writ­ing and pub­lish­ing is one that has tra­di­tion­al­ly been high­ly col­le­gial.  Much of that is gone. It may be vir­tu­al but

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A Christmas Carol

A Christmas Letter

Every year around Christ­mas time— “this rolling time of the year”—I re-read Charles Dick­ens’ A Christ­mas Car­ol.   Part of this comes about because the read­ing has become my tra­di­tion, and tra­di­tions, I think, help mea­sure one’s life. I also read it because I feel it’s a les­son to me, a les­son I should heed

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Iron Thunder

Finding a Gem of Information

I’m often asked about the research I do for my his­­tor­i­­cal-fic­­tion nov­els. That is deter­mined, first, by the nature of the book I am writ­ing. If I am try­ing to set a sto­ry with­in the con­text of real events, real peo­ple, in real places, that requires rather deep research. If I am only using a

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Is It Perfect?

I once read that the occu­pa­tion­al dis­ease of writ­ers is depres­sion. It’s not dif­fi­cult to know why. Shall I sug­gest some rea­sons? The sheer all-but-impos­si­­bil­i­­ty of writ­ing a per­fect piece of work. The iso­la­tion. Low (if any) income. (The trend these days is ever low­er,) Neg­a­tive response to one’s work, which these days includes dis­mis­sive crit­i­cism on

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Thank you

Thanksgiving

The Thanks­giv­ing tra­di­tion in my house­hold is to go around the table and allow every­one to say what they are thank­ful for. There will be no such table at my home this year (thanks, Covid) though if the weath­er is decent, we shall share some out­door din­ner with my job­less (thanks, Covid) son and his

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No More Magic

Ideas from Real Life?

One of the ques­tions I am often asked is, “Do you get your char­ac­ters and sto­ries from real life?” The answer is part­ly. An ear­ly book, No More Mag­ic, had its incep­tion at my old­est son’s fifth grade birth­day par­ty. It was a super hero cos­tume par­ty, and we held it in a park. One boy

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