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Gold Rush Girl

Story Behind the Story #70,
Part 3: Gold Rush Girl

My good friend, the late Bet­ty Miles—who wrote many fine children’s books—once told me: “I have to work on a book for about six months before I feel like a real writer.” I also recall Thomas Mann, the ear­ly twen­ti­eth cen­tu­ry Ger­man writer, say­ing some­thing to the effect that “The ama­teur writer finds writ­ing easy.

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California Gold Rush

Story Behind the Story #70,
Part 2: Gold Rush Girl

The Cal­i­for­nia Gold Rush was indeed a rush. The Unit­ed States had tak­en over San Fran­cis­co as a result of its war with Mex­i­co. (1846–48). That aggres­sive war—fiercely object­ed to by many, includ­ing Abra­ham Lincoln—had, as one of its objec­tives, the annex­ing of San Fran­cis­co Bay. When gold was dis­cov­ered, chunks of it went on

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Gold Rush Girl

Story Behind the Story #70: Gold Rush Girl

San Fran­cis­co is a city where I have lived often, vis­it­ed, and have great fond­ness for. I first went there in the fall of 1961, hav­ing fin­ished my grad­u­ate class time at the Uni­ver­si­ty of Wis­con­sin, Madi­son. A fel­low I knew was set­ting up a new the­atre, and he want­ed to do a play I

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Crispin at the Edge of the World

When Characters Die

I recent­ly received a let­ter from a young fan con­cern­ing my Crispin books. The writer informed me that when he read the sec­ond book in the series (At the Edge of the World), he “fell in love” with the char­ac­ter Troth. Then, when he turned to the third book, and real­ized Troth was not part

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Book Reviews

Thoughts on Book Reviews

Con­sid­er: what is the pur­pose of a book review? Is it sim­ply to reg­is­ter a reader’s sub­jec­tive response? Is it to eval­u­ate the writ­ing with­in the broad­er con­text of lit­er­a­ture? Or is it the reviewer’s task to deter­mine what the writer want­ed to achieve, and eval­u­ate if those goals have been achieved? Are reviews meant

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Dedication to Teofilo F. Ruiz

Q&A: Why do you have dedications in your books?

When an author ded­i­cates a book to an individual—sometimes to more than one per­son or even to a group of people—it is a gift of appre­ci­a­tion, recog­ni­tion, or in some way acknowl­edg­ing a very pos­i­tive per­son­al con­nec­tion. (The detec­tive book writer, Robert Park­er, always ded­i­cat­ed his books to his wife.) The writer is bestow­ing a

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Wolf Rider

Titles

While Shake­speare once wrote, “A rose by any oth­er name will smell as sweet,” a good (or bad) title can make a dif­fer­ence for a book. The book’s title is the intro­duc­tion of a book to the read­er. It is enor­mous­ly impor­tant. Curi­ous­ly, you can­not copy­right a title. That explains why some titles reap­pear for

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Working together

Forty!

I work on a book for a year, or more, rewrite it end­less­ly, read it aloud to my wife, share it with a friend whose crit­i­cism I great­ly trust, rewrite some more, and it is, I tell myself, most­ly done and not bad. I send it to my edi­tor, and don’t hear any­thing for a

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Gold Rush Girl

Gold Rush Girl reviewed

My thanks to J.B. Pet­ty, who wrote in this Book­list starred review of Gold Rush Girl, “With his char­ac­ter­is­ti­cal­ly sus­pense­ful style, Avi crafts a rous­ing his­tor­i­cal adven­ture helmed by a spir­it­ed pro­tag­o­nist whom read­ers will love. Tory’s first-per­­son nar­ra­tion fur­ther con­nects read­ers to the gold rush–era sto­ry, which con­cludes with room for future exploits. One

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Nothing But the Truth

Q&A: Nothing But the Truth

Ques­tions I am often asked about my book, Noth­ing but the Truth. Q: Is the sto­ry based on some­thing that hap­pened to you? A: Not at all. Q: Then what gave you the idea for the sto­ry? A: I was liv­ing in the East Coast (Rhode Island) and read a news sto­ry about the tur­moil that erupt­ed in

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